In the video, the audience members — who appear to be young women — can be heard responding that they were “only singing along.” The exchange escalates as the man repeatedly yells, accuses them of using profanity, and calls for security, raising his voice while other patrons look on. At points, surrounding audience members attempt to calm the situation.
It remains unclear whether the singing occurred during the performance itself or during the intermission, when audience chatter and movement are common. Theatre staff can be seen approaching as the confrontation continues, though the video cuts off before showing how the situation was ultimately resolved.
Here’s the thing. If the people sitting behind him really were singing loudly enough to be distracting during the show, that’s not okay. You’re there to hear the performers, not the audience. Even at a joyful, crowd-pleasing musical like Mamma Mia!, there’s still a basic understanding we all agree to when the lights go down. Enjoy yourself, absolutely. Sing along in your head. Save the full-volume participation for the car ride home.
But none of that excuses what we see in the video. The reaction is so outsized it becomes its own disruption. Yelling at strangers, humiliating those with him, escalating the moment, and turning intermission into a confrontation doesn’t restore order. It just replaces one problem with another, louder one. Whatever point he thought he was making gets lost the second he starts going ballistic.
Two things can be true at once. Audience members shouldn’t ruin the show for those around them. And responding with that level of anger isn’t right either. Theatre is supposed to be communal. A shared experience. When it tips into hostility from either side, everyone loses, and a night meant to be fun turns tense for all the wrong reasons.
