![28th Aug: Dilan ITB 1997 (2026), 1hr 49m [TV-14] (6.95/10)](https://occ-0-8167-92.1.nflxso.net/dnm/api/v6/0Qzqdxw-HG1AiOKLWWPsFOUDA2E/AAAABdgB4xjiqgKLexPsK2RisD1c_OeG9Nw2zvJ5KoOWH7m9tqnnMzwAOpMmpundtzZMpXNCQ1Nt4kABriUjan1AshU0IVueK28Jp9UttZo6oIyU4agupH6ue7BgeJ0d6QueB4n8drMZ4k5g2W0i6uYp4hmF7A2t2XSZ28a48UFrdKn12Q.jpg?r=113 "28th Aug: Dilan ITB 1997 (2026), 1hr 49m [TV-14] (6.95/10)")
Corbeil-Coleman’s best-known plays, such as Guarded Girls and Scratch, centre contemporary young women circling grief, inheritance, and intergenerational trauma. It might seem like a surprise, then, that The King James Bible Play opens with five men centuries ago — but it turns out that the intergenerational trauma in this case stretches back about 417 years.
