That definition came to life for me through The Migrant Rain Falls in Reverse by Vinh Nguyen, released on April 8, 2025, ahead of the 50th anniversary of the fall of Saigon.
Nguyen was one of the many Vietnamese “boat people”, refugees who fled the country by sea after the fall of Saigon in 1975. Alongside his mother and siblings, he escaped in a crowded boat, part of the mass exodus of those seeking safety and freedom across dangerous waters. His father fled separately and then vanished without a trace. The memoir traces not only Vinh’s harrowing escape but also the emotional terrain of absence, longing, and inherited memory.
The Migrant Rain Falls in Reverse contains all the key features of a memoir: it’s written from Vinh’s perspective, it focuses on his memories and reflections, and it shows, often through dialogue, how personal experiences shape an individual, through offering lessons and insights.
Nguyen himself describes the memoir in this way: “It begins with memory and it moves forward. As it moves forward, it hits the limits of memory. And so increasingly, the book becomes speculative. I moved towards thinking about what could have been—what did I want to have happened?”
I discovered The Migrant Rain Falls in Reverse through the Amnesty Book Club, which featured it in celebration of World Refugee Day on June 20th.
