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Boundary Problems – The Theatre Times

For the second time in two years, a flashy, big-budget Romeo and Juliet has opened in New York that’s so bent on pleasing one particular target audience with shallowly conceived staging gimmicks that its storytelling is hopelessly muddled.Late 2024 brought us Sam Gold’s teen-centric, gender-fluid “Romeo + Juliet” at Circle in the Square, set in a high-energy music club accessorized with stuffed animals. The gimmicky premise there was that a bunch of angsty and disaffected young people had broken into a Broadway theater to “get something off their chests” by performing Shakespeare’s play (as Rachel Zegler, who played Juliet, explained…

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